From 2020 to 2024, I selected and gathered some of my best works into self-published zines. Each of them had different formats in presentations and themes, all to create my personal collection of fanwork.

Identity V fanbook, La Lune Et Toi, 2019
Material used: mixed media including traditional ink, gold foil, watercolor and digital art.
Format: A5 size, C300/C120 paper, glue binding, 32pages.

Twisted Wonderland Fanbook: Mon amour mon ami, 2020.
Material used: digital art.
Format: A5 size, Icewhite250/C150 paper, staple binding, 20pages.

Jujutsu Kaisen Fanbook: Icarus, 2022.
Material used: digital art.
Format: A5 size, C300/C150 paper, glue binding, 36pages.

Tokyo Revengers Fanbook No.1: Flâner, 2022.
Material used: digital art.
Format: B5 size, C300/Ford150 paper, thread binding, 48pages.

Tokyo Revengers Fanbook No.2; Takemichi in Wonderland, 2023.
Material used: digital art.
Format: B5 size (horizontal), C300/Ford150 paper, thread binding, 52pages.

Blue Lock Fanbook: Walking on sunshine, 2023
Material used: digital art.
Format: 148 x 148mm, Icewhite250/Ford150 paper, staple binding, 24pages.

Tokyo Revengers Fanbook No.3: Palinoia, 2023
Material used: digital art.
Format: B5 size, C300/Ford150 paper, staple binding, 32pages.

Tokyo Revengers Fanbook No.4: Aubade, 2024
Material used: digital art.
Format: B5 size, C300/C150 paper, thread binding, 116pages.

Since 2023, I’ve been focusing solely on character design commission, these are a few of my favorites.